I find
Butler and Athanasiou’s discussion about appropriation in Chapter 10 to be
quite interesting. Athanasiou asks “if the vulnerability of the other calls
upon our own susceptibility to previous and current violent modes of appropriation,
how might we retain a responsive openness to the political and futures of
alterity, as a prerequisite for the openness of political temporality and
spatiality?”(116) Leading up to this question is a discussion about a shift
from the I, the “ethnocentric, moralistic, and narcissistically unilateral
narrative of trauma” to a third person view of struggle that is affected by the
vulnerability of others as “I cannot conceive of my own struggle…without him or
her”. This point worried me because I think about the ways in which the vulnerabilities
of different groups are not matched so I don’t see how we can operate from this
third person view. The vulnerability of those who are made to become dispossessed
by systems of oppression is higher than those who are not. So I’m back to the question I quoted originally,
I don’t see how such a view escapes violent acts of appropriation as the vulnerability
that comes along with becoming dispossessed is not a feeling that all groups
have. I was not able to pinpoint an answer to this question in the reading.
In
thinking about appropriation, I thought back to the conversation we had earlier
in the semester when Iggy Azalea came up. She has become the poster child for appropriation
and I think that Athanasiou’s question can be applied here. Where do we draw
the line between the interconnectednesss that comes with being dispossessed and
appropriating culture or experiences? Where/what
are the lines between being in hip hop culture end and living hip hop or living
in the conditions that lead to the emergence of hip-hop and continues to inform it? Are Butler and Astanasiou arguing that there
are none/shouldn’t be any?