In chapter twenty, “The University, the humanities, and the
book bloc” Butler and Athanasiou discuss how institutions of higher learning
have become increasingly concerned about the institution’s commercial
marketability, especially concerning concentrations that do not directly
translate into jobs or are applicable to specific industries. Beyond the fact
that certain majors are seen as not being lucrative, Butler states, “the basic
rights and entitlements are also eroded within such a context, refashioned as
‘investments’ or as ‘disposable goods’”(190). I think as humanities students at Emory we all can empathize
and share in this sentiment. Most of us watched, and perhaps reacted, as the
‘Emory cuts’ were announced and implemented. When reading chapter I could
imagine those events being recounted by Butler as the perfect example of how
universities have become more interested in their marketability to the real
world, as well as an example of political performativity through both the
faculty and students’ responses. Bonnie Honig would applaud the coalition
between faculty and students, who usually have different expectations and
goals, but came together in the moment of crisis.
There were fiscal, quantifiable reasons given by the
university for the cuts and new programs were announced that were deemed more
relevant for the rapidly changing world, but to many students in the liberal
arts, whether directly affected or not, it felt as though our own institution
was publicly belittling us and our chosen fields of study. As someone who’s
primary major was publicly demeaned and insulted by Obama, Emory’s movement
against the liberal arts was not surprising but definitely alienating. Butler
and Athanasiou focus on this conundrum of universities and society no longer
finding an education of critical thinking important, and if that’s so, why pay
the high price of admittance to these institutions when “one’s knowledge is unrecognizable
by prevailing market standards?”(192).
No comments:
Post a Comment